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How did Marvell die?

By: Peng HuUpdated: April 11, 2021

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Similarly, when did Marvell die?

August 16, 1678

Beside above, what kind of poet was Andrew Marvell?

metaphysical poet

Where was Marvell born UK?

Winestead, United Kingdom

Was Marvel a cavalier poet?

Marvell was eclectic: his “To His Coy Mistress” is a classic of Metaphysical poetry; the Cromwell odes are the work of a classicist; his attitudes are sometimes those of the elegant Cavalier poets; and his nature poems resemble those of the Puritan Platonists.

Related

Who is Marvell?

Andrew Marvell (/ˈm?ːrv?l, m?ːrˈv?l/; 31 March 1621 – 16 August 1678) was an English metaphysical poet, satirist and politician who sat in the House of Commons at various times between 1659 and 1678.

Have we had the world enough and time?

Had we but World enough, and Time, This coyness Lady were no crime. To walk, and pass our long Loves Day. Nor would I love at lower rate.

What does metaphysical conceit mean?

The metaphysical conceit, associated with the Metaphysical poets of the 17th century, is a more intricate and intellectual device. It usually sets up an analogy between one entity's spiritual qualities and an object in the physical world and sometimes controls the whole structure of the poem.…

What did Andrew Marvell write about?

In his longest verse satire, Last Instructions to a Painter, written in 1667, Marvell responded to the political corruption that had contributed to English failures during the Second Anglo-Dutch War. The poem did not find print publication until after the Revolution of 1688–9.

What does we had the world but enough and time mean?

The first lines of “To His Coy Mistress,” a poem by the seventeenth-century English poet Andrew Marvell. The poet tells a woman whom he loves that if they had endless time and space at their disposal, then he could accept her unwillingness to go to bed with him. Life is short, however, and opportunities must be seized.

Who are called Cavalier poets?

Some of the most prominent Cavalier poets were Thomas Carew, Richard Lovelace, Robert Herrick, and John Suckling. They emulated Ben Jonson, a contemporary of Shakespeare. These poets opposed metaphysical poetry, such as that of John Donne.